File:Happy man in a rainy day.jpg
原始文件 (1,781 × 3,347像素,文件大小:2.22 MB,MIME类型:image/jpeg)
摘要
描述Happy man in a rainy day.jpg |
This man was crossing from the south side of 96th Street to the north side, on the west side of Broadway. He was grinning and smiling to himself all the way across -- not listening to music, not talking with anyone else, just enjoying his own private joke or moment of happiness... Note: this photo was published as an illustration in an undated (Dec 2009) Squidoo blog titled "Happy News, Happy Stories & Happy People." Months from now, if people stumble onto this set of Flickr photos, they won't know or care when the photos were actually taken. After all, rain is a fairly universal phenomenon, and it can happen in any of the four seasons of the year. Still, it's an odd experience to be writing these notes a week after the photographs were taken -- at an altitude of 35,000 feet, on a flight to Miami that lifted off from JFK airport just as the first snow flurries hit the runway at the beginning of what promises to be the first major snowfall of the 2009 season. Twelve inches of snow are expected by the time the storm stops, which makes this collection of water-soaked individuals seem like they got stuck in the wrong place and the wrong time. But a week ago, the temperature was about ten degrees warmer -- and what could easily have been a foot or two of snow was instead just a couple of inches of cold rain. Rain, of course, brings out the umbrellas; and on a couple of earlier occasions this year (which you can see here and here on Flickr), I began to see that -- notwithstanding the typical stories about New York fashions -- people were not restricting themselves to black raincoats and black umbrellas. My winter coat (courtesy of North Face) is black, and just about every umbrella I've ever owned has been black; my suitcases are black, my backpacks and briefcases have always been black, and even my camera bag is black. Since it's promising to be a cold winter, I just bought a new pair of gloves and a new woolen cap ... in black. But that's apparently not true for many other New Yorkers. While you'll see a few black outfits in the photos collected here, the range of vivid colors continues to surprise me. Somehow, it's something you would expect to see at the beginning of the spring season -- signifying the rejection of the dark gloom of clouds and rain, and celebrating the imminent arrival of flowers and blossoms, of emerald-colored trees and thick green grass and the chirping of birds. But this collection of photos was taken in mid-December, only a week before the official beginning of winter. You'd think that people would be carrying black umbrellas and somber raincoats that marked the season of death and darkness, but I guess that's just not the way things are here in New York City. On the previous occasions when I've photographed umbrellas in the rain, I've deliberately used a "pocket camera," albeit a fairly sophisticated one such as the Canon G-10. I wanted something that would be compact enough that I could stick into my jacket pocket if the rain got heavy, and I didn't want to risk damaging the electronic components a really expensive, sophisticated camera by getting it wet. The results were usually fairly good, but I always wondered if I could do a better job with one of my high-end DSLR cameras... ... so that's what I used for this collection of photos: my Nikon D700 camera, with a big, heavy 70-300mm zoom lens. I attached a lens hood to the lens, to minimize the chances of raindrops falling directly onto the lens itself; and I stood beneath the awning and overhang of various storefronts and buildings along Broadway as the rain poured down steadily all around me. Next time, I might be even more adventurous, since I've got a professional waterproof bag-thingy that should keep the camera dry even if I'm standing out in the middle of a torrential downpour. But for now, this was a good start. Because of the rain, most of the people I photographed paid no attention to me at all; they were too busy concentrating on where they were walking, where the puddles were deepest, and whose umbrellas were about to poke them in the face. On the rare occasions when they did see a crazy guy standing under an awning, pointing a camera in their general direction, they frowned or gave me a quizzical look, and just kept going... So that's the way it was, on this rainy Sunday afternoon. At this point, I'm going to assume that winter has officially arrived, and that the precipitation during the next few months will take the form of snow, not rain. I don't know how well it will turn out, but one of my future projects will be a series of photos during a blizzard. Stay tuned ... and in the meantime, stay dry. |
日期 | |
来源 | You'd smile, too, if you just got a job after being unemployed for the last six months! |
作者 | Ed Yourdon from New York City, USA |
相机位置 | 40° 47′ 41.09″ 北, 73° 58′ 19.04″ 西 | 在以下服务上查看本图像和附近其他图像: OpenStreetMap | 40.794748; -73.971955 |
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这幅图片原始出处为Flickr的https://www.flickr.com/photos/72098626@N00/4213727760 ,作者为Ed Yourdon 。经机器人FlickreviewR在2010年6月23日审查后确定为采用cc-by-sa-2.0的协议授权使用。 |
2010年6月23日
此文件中描述的项目
描繪內容
某些值没有维基数据项目
知识共享署名-相同方式共享2.0通用 简体中文(已转写)
40°47'41.093"N, 73°58'19.038"W
13 12 2009
曝光时间 简体中文(已转写)
0.004 秒
8
230 毫米
3,200
image/jpeg
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当前 | 2010年6月23日 (三) 00:00 | 1,781 × 3,347(2.22 MB) | Electron | {{Information |Description=This man was crossing from the south side of 96th Street to the north side, on the west side of Broadway. He was grinning and smiling to himself all the way across -- not listening to music, not talking with anyone else, just en |
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元数据
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相机制造商 | NIKON CORPORATION |
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相机型号 | NIKON D700 |
曝光时间 | 1/250 秒 (0.004) |
光圈(F值) | f/8 |
感光度(ISO) | 3,200 |
数据生成的日期与时间 | 2009年12月13日 (日) 12:31 |
镜头焦距 | 230 毫米 |
像素构成 | 色彩滤波器阵列 |
方向 | 正常 |
水平分辨率 | 72 dpi |
垂直解析度 | 72 dpi |
使用软件 | Ver.1.01 |
文件更改的日期与时间 | 2009年12月13日 (日) 12:31 |
曝光模式 | 普通程序 |
数字化的日期与时间 | 2009年12月13日 (日) 12:31 |
APEX曝光补偿 | 0 |
最大光圈 | 4.9 APEX(f/5.46) |
测光模式 | 多区 |
光源 | 未知 |
闪光灯 | 闪光灯未点亮 |
修改时间厘秒数 | 71 |
数据生成时间厘秒数 | 71 |
数字化时间厘秒数 | 71 |
颜色空间 | sRGB |
感光方法 | 单芯片彩色区域传感器 |
自定义图像处理 | 普通处理 |
曝光模式 | 自动曝光 |
白平衡 | 自动白平衡 |
数字变焦比率 | 1 |
35毫米胶片焦距 | 230 毫米 |
场景拍摄类型 | 标准 |
对比度 | 标准 |
饱和度 | 标准 |
锐度 | 标准 |
拍摄对象距离范围 | 未知 |